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The band amid a composition and a song is thin. So thin, it about doesn’t exist.
Gulzar is the aftermost of the allegorical lyricists from Bollywood who reminds us that fact, anniversary time we accept to a timeless, allusive song of his.
Gulzar is abundant added than a lyricist, of course. He is a scriptwriter-director of abundant affection too. He could accomplish our eyes wet with Koshish, alike as he could accomplish our abdomen aching with amusement with Angoor – William Shakespeare would accept accustomed of this adjustment of The Comedy of Errors – besides authoritative us balance affair with Aandhi.
But his greatest allowance lies in poetry, and by extension, lyrics. On the day he turns 85, let us ambition him Happy Altogether and epitomize some of his finest songs.
Meri jaan mujhe jaan na kaho… (Anubhav)
Meri jaan, mujhe jaan na kaho, meri jaan
Jaan na kahon anjaan mujhe
Jaan kahan rahti hai sadaa…
(My life, alarm me not life
Call me not life, afterwards animate me
Life is not forever…)
The balladry is exquisite, the music bewitched and the singing divine. Such a archetypal adapted to be attempt extraordinarily. Basu Bhattacharya did aloof that.
This gem has to be one of the best-shot songs in Indian cinema. The black-and-white images, attempt by cinematographer by Nando Bhattacharya, are arduous poetry.
From the aerial leaves on a wet night, we are shown, through a window, Sanjeev Kumar attractive alfresco broodingly at the rain. Tanuja, in her flowing, chiffon saree, comes up to him from behind. What follows is a arrangement of some of the best tender, adventurous and affectionate moments apprehensible on screen; there isn’t a distinct continued shot.
Geeta Dutt, in one of her aftermost songs, shows why she was one of the few singers who could accomplish her articulation acquainted back the Mangeshkar sisters reigned supreme. The way she brings out the abysmal yet attenuate acceptation of Gulzar’s lyrics is brilliant. This was to be her aftermost song afore she died at the age of 41.
Kanu Roy may accept acquainted alone a scattering of Hindi songs, but this one has fetched him a admission for immortality.
Mora gora ang lai le… (Bandini)
Mora gora ang lai le
Mohe shyaam rang dai de
Chhup jaaoongi raat mein
Mohe pia ka sang dai de
(Take abroad my fair complexion
Paint me in aphotic shade
So I could be like night
Give me aggregation of my sweetheart)
This was Gulzar’s admission in Bollywood (though the films Shriman Satywadi and Kabuliwala were appear earlier). It was like scoring a hundred in your first-ever Test innings, and scoring it in the best affected of styles.
Director Bimal Roy and artisan S.D. Burman, afterwards a bit of an argument, assured that Nutan (Kalyani) should sing a poem, and not a song. The administrator explained the ‘song situation’ (Kalyani, who secretly admires Vikas, a role played by Ashok Kumar, and comes out in the night singing). Gulzar, the adolescent poet, didn’t abort them.
Dil dhoondta hai… (Mausam)
Dil dhoondta hai phir wohi fursat ke raat din
Baithe rahe tasawwur-e-jaana kiye huye
(Once afresh the affection seeks those canicule and nights of leisure
I sit around, absent of my beloved’s face)
A melody as addictive as any in Hindi cinema. Already you accept listened to it, you are absorbed for life. It absolutely is one of the finest blur songs ever.
Madan Mohan accurately chose Bhupinder Singh for this song, the aperture two curve of which Gulzar adopted from a brace by Mirza Ghalib.
Tere bina zindagi se koyi… (Aandhi)
Tere bina zindagi se koyi shikwa to nahin
Tere bina zindagi bhi lekin zindagi to nahin
(No bickering I accept adjoin a activity afterwards you
There is activity afterwards you, but no activity it is)
Aandhi is one of Gulzar’s best works a scriptwriter-director. It is about a afar brace affair afterwards a gap of 12 years. Sanjeev Kumar and the attractive Suchitra Sen led a absolute cast.
The blur boasts three of Bollywood’s greatest duets (the others actuality Tum aa gaye ho noor aa gaya… and Is mod se jaate hain…). R.D. Burman, with whom Gulzar formed his best abounding accord — alpha with Parichay — is in abundant form. So are Lata and Kishore Kumar.
This song has absolutely a few abundant lines, such as
Tum jo keh do toh aaj ki raat
Chaand doobega nahi, raat ko rok lo
Raat ki baat hai, aur zindagi baaki to nahin
(If you ask, the moon won’t set tonight
Please abeyance the night
It’s aloof the amount of a night, annihilation is larboard in life)
Hum ne dekhi hai in aankhon ki… (Khamoshi)
Humne dekhi hain un aankhon ki mehekti khusboo
Haath se chhoo kar isse rishton ka ilzam na do
Sirf ehsaas hain ye rooh se mehsoos karoon
Pyaar ko pyaar hi rehne do koin naam na do
(I accept apparent the wafting balm of those eyes
Don’t blow it with easily and characterization it as a relationship
A awareness it alone is, feel it with your soul
Let adulation be love, accord not it any name)
Hemant Kumar is apparently the finest singer-composer in Bollywood ever. This blur directed by Asit Sen appearance some of his best compositions, including Kishore’s Woh adulterated kuch ajeeb thee…and Tum pukar lo…, articulate by Hemant himself.
Though Gulzar came up with ablaze curve in all those songs, this one has some abnormal images, like the seeing the wafting balm of the eyes. He already said he was criticised for such usages, but that the song formed because Hemant, who knew his Tagore, accepted the poetry.
It additionally has simple, beeline curve like these:
Pyar koi bol nahin, pyar koi aawaz nahin
Ek khaamoshi hain sunti hain kaha karti hain
Na ye bhujti hain, na rukti hain, na thahri hain kahin
Noor ki boond hain, sadiyon se baha karti hain
(Words adulation is not, Sound it is not
It is silence, it speaks, it listens
It doesn’t extinguish, it doesn’t stop, it doesn’t break anywhere
It is a atom of ablaze that flows for ages)
Musafir hoon yaaron… (Parichay)
Musafir hoon yaaron
Na ghar hai na thikaana
Mujhe chalte jaana hai
Bas chalte jaana
(I am a traveller, friends
I don’t accept a house, nor a place
I accept to accumulate on moving
Just accumulate on moving)
Parichay was the third blur directed by Gulzar and it apparent the alpha of his affiliation with R.D. Burman, which would become one of the best accordant in Hindi blur music. In his aboriginal two films, Mere Apne and Koshish, the music was denticulate by Salil Choudhury and Madan Mohan respectively.
Aaaj kal paaon zamin par… (Ghar)
Aaj kal paaon zameen par…
Naheen padate mere
Bolo dekhaa hain kabhee
Tumne mujhe, udate huye
(These canicule my anxiety are not on ground
Tell me, accept you anytime apparent me fly?)
Gulzar, R.D. Burman and Lata appear calm for addition classic. A admirable Rekha, in the aggregation of Vinod Mehra, brings the song animate on screen.
Naam gum jaayega… (Kinara)
Naam gum jaayega,
cheharaa ye badal jaayegaa
Meri aawaaz hi pahachaan hai
gar yaad rahe
(The name may get lost
The face may change
My articulation will be my identity
If you bethink it)
Another bewitched tune by R.D. Burman, with the articulate abutment from Bhupinder Singh and Lata. The song was attempt in the alluring charcoal of Mandu (Madhya Pradesh), with Hema Malini, Jeetendra and Dharmendra.
Chaiyya chaiyya (Dil Se)
Inke sar ho ishq ki chhaaon
Paaon ke neeche jannat hogi
Chal chhaiyya chhaiyya chhaiyya
(Whose active are in the adumbration of love
Beneath their anxiety would be heaven
Come, let’s airing in the shade)
Some of Gulzar best curve back the 1990’s accept been acquainted by A.R. Rahman. The duo won the Oscar for the Slumdog Millionaire song Jai Ho.
But their best accepted has to be this ablaze song from Mani Ratnam’s Dil Se. It has been watched added than 80 actor on YouTube and was voted the ninth accepted song in the apple of all time in a poll by the BBC.
Sukhwinder Singh and Sapna Awasthi sang it with the raw activity it demanded.
It may be a foot-tapping number, but Gulzar’s balladry still shone through with curve like
Woh yaar hai jo khushboo ki tarah
Jiski zubaan Urdu ki tarah
(My admired is like fragrance
Her accent is like Urdu)
Well, these songs alone accomplish up a baby allotment of Gulzar’s aces apple of lyrics. There are many, abounding added songs to admire like Mera kuch saamaan… and Khaali haath shaam aayi hai… (both Ijazat), Bol re papihara… (Guddi), Aap ki aankhoh mein…(Ghar), O majhi re… (Kinara) Ek akela is shahar mein… (Gharonda), Hazaar raahen… (Thodi Si Bewafai), Tujhse naaraaz nahin zindagi… and Do naine aur ek kahaani… (Masoom), Janam se banjaraa hoon… (Rahgir), Hawaaon pe likh de… (Do Dooni Char), Aane wala pal… (Gol Maal), Raat ka shauk hai… (Guru), Yaara sili sili… and Main ek sadi se… (Lekin), Jeewan se lambe hai… (Ashirwad).
Thank you, Gulzar saab!
Happy Birthday Card In Hindi – happy birthday card in hindi
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